Rateliff fronts the band with a voice that can both soothe the soul, perfectly pitched and gentle to the ear, and then, all at once, can seamlessly shift gears to bellow a howl that pulls on your heartstrings and drops collective jaws.Īt the Levitt Pavilion Steel Stacks, with the backdrop of the Bethlehem Steel Factory lit up like an American ruins tourist attraction, this band masterfully began to give Bethlehem back its identity. Nathaniel Rateliff & The Night Sweats, a Colorado-born neo-blues rock band, sprinkles in a potpourri of everything from outlaw rock, rockabilly, gospel, R&B, and vintage soul into their music. I thought it was fitting that my first show in the real world would be there…and “there” is where I would witness Nathaniel Rateliff & The Night Sweats. Since the permanent closing of the factory, the town has struggled to make its comeback and find its identity. This town was once a pillar of American Industrialism, as Bethlehem Steel was once responsible for many of the skyscrapers and bridges that adorn our country. My first stop was a town on the outskirts of Philadelphia called Bethlehem, Pennsylvania. But, what would this new world look like? How would it feel to come together once more? These were questions that demanded answers and so I embarked on a road trip to my first live show in more months than I care to count. Fans began to tweet sentiments of excitement while bands hit the road. Everyone and everything, regardless of how close, seemed so distant.īut the winter of our discontent appeared to be at an end, as news of music venues resuming shows began to circulate around the internet. The Covid-19 pandemic put a moratorium on those wondrous interactions at concerts as the world sheltered in place, separated from each other, to stop the spread of the Coronavirus.įor over a year we battled with the uncertainty of tomorrow, while those that make music for a living suffered a hard blow to their livelihood. Regardless of the state of the world, we music lovers always had THAT…until we didn’t. For a moment in time, the schisms of the day are abandoned as you are shoulder-to-shoulder with venerable strangers, singing and dancing in unison sharing in a moment where the music moves you collectively and fills you with sheer joy. Rateliff, who’s only tangentially related to Timberlake, made out the best, getting the “SNL” slot without being directly associated with any of the controversy.At concerts, however, the lines are seemingly blurred. Timberlake apologized publicly, though he never specifically said what actions he was sorry for, casting a shadow over his new film. 29, handing Rateliff at least half of his two-song “SNL” setlist.īut Timberlake became a subject of controversy last week as the “Framing Britney Spears” documentary prompted soul-searching and critiques of the misogynistic culture of ’90s pop music, including past actions by Timberlake that many saw as demeaning to women. The timing at first seemed like a promotional win for Rateliff, who wrote and recorded “Redemption” for the new Justin Timberlake movie, “Palmer.” That drama debuted on Apple TV on Friday, Jan. 13 appearance, which featured Rateliff, his backing band the Night Sweats and a trio of backup singers (on “Redemption,” at least), cemented the barrel-chested blues revivalist as Colorado’s biggest musician of the moment. On a well-reviewed if sleepy episode, Denver singer-songwriter Nathaniel Rateliff made his “Saturday Night Live” musical debut by playing new solo single “Redemption,” followed by the rollicking Night Sweats song “A Little Honey.” The Feb. Wednesday, June 29th 2022 Home Page Close Menu
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